In “THE KISS,” two cherubs float in a tender embrace, borrowed from the iconic 19th-century painting “L'Amour et Psyché, enfants” — but this time, they’ve taken a detour through a backstage dressing room.
The angels wear the face paint of KISS, the legendary rock band. It’s a divine moment of affection, mischief, and recontextualized innocence. Set against fluffy clouds and celestial light, the scene is soft and serene — until you notice Dylan’s cultural remix. “THE KISS” is a visual love letter to classic rock, childhood reverie, and the wild, unpredictable alchemy of high and low art.
In “THE KISS,” two cherubs float in a tender embrace, borrowed from the iconic 19th-century painting “L'Amour et Psyché, enfants” — but this time, they’ve taken a detour through a backstage dressing room.
The angels wear the face paint of KISS, the legendary rock band. It’s a divine moment of affection, mischief, and recontextualized innocence. Set against fluffy clouds and celestial light, the scene is soft and serene — until you notice Dylan’s cultural remix. “THE KISS” is a visual love letter to classic rock, childhood reverie, and the wild, unpredictable alchemy of high and low art.
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